Corie: Of course I’m serious. Six days does not a week make. Only those couples bearing a letter from their psychiatrists proving they’re well adjusted will be permitted to be married.  On the basis of strong reviews and even stronger word of mouth, the Broadway production became a sold-out hit, causing the Biltmore Theatre to double the size of its box office staff to deal with the demand for tickets. Beyond the issues with the apartment itself, Paul and Corie will have to deal with an odd assortment of neighbors, most specifically eccentric senior Victor Velasco, who lives in the unusual attic and who would like to consider himself a dirty old man. Corie: Do you know what I think you really need? There is little doubt that the young people will kiss and make up by the end of the picture, just as there's little doubt that mother and the neighbor will find each other. Corie: I don’t know. Because you and I have nothing in common. Velasco: An ulcer! Do you have to carry on—a whole personal conversation with me—on the stairs? Taglines I have a bad arm. Because of me you’re running around without your clothes and Paul is out there on the streets with a cold looking for a place to sleep. Victor conceptualizes his future with a handicapped foot: Velasco: (Sitting on sofa and putting foot up on coffee table.) You complained. | When was I proper and dignified? The play was nominated for four 1964 Tony Awards, with Nichols winning the award for Best Direction of a Play. Paul: We can’t. Corie and Paul consider divorcing, even though it is a poor course of action to take after only one night of marital squabbling: Paul: You mean the whole thing? But take care of him. Corie: That’s not a flight. Log in. Hope Overall Story Issue. (Unhappily.) Conflict is inevitable with her conservative husband—Corie forces him to realize he can also have fun without losing his sense of responsibility. Oh, Corie…it’s…beautiful. She thinks I’m over here every day now. How will you get home? At Delfino’s…You were drunk, right? Upgrade to PRO Sign Up for PRO to view suggested audition pieces! “It’s not the worst thing…”, Corie’s concept of her home is a far cry from the reality: “The furniture didn’t get here quite yet and the paint didn’t come out exactly right, but I think it’s going to be beautiful.”. Corie is concerned with finding Paul once she realizes that she loves him and does not want a divorce after all: (Corie thinks a moment, wipes her eyes, and then rushes to the closet for her coat. Telephone Man: (Not too thrilled.) It is a warm, hearty laugh shared by two friends. The cast included Amanda Peet (Corie), Patrick Wilson (Paul), Jill Clayburgh (Mrs. Banks), and Tony Roberts (Victor). " This was one of two television series based on Neil Simon plays to debut on the network that month, the other being The Odd Couple. Mother: Well, I didn’t have much chance to…I did a lot of fainting. You've reached the "hub" for any and all Dramatica analysis of Barefoot in the Park. Corie: Okay, grouch. Whose fault is that? Corie: You don’t consider this a crisis? He is currently going through financial issues and has not paid his rent. Complete summary of Neil Simon's Barefoot in the Park. Paul must understand that his past with Corie and the memories it has created, demonstrate the paramount importance of his marriage; Corie must come to the understanding that Paul’s career ambitions are important and necessary for him to attend to in order to take care of her: Corie: He’s not a fuddy duddy.
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