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Florence Foster Jenkins (born Narcissa Florence Foster; July 19, 1868 – November 26, 1944) was an American socialite and amateur soprano who was known, and mocked, for her flamboyant performance costumes and notably poor singing ability. Auf ihrem Grabstein steht: "Die Leute können vielleicht behaupten, dass ich nicht singen kann, aber niemand kann behaupten, dass ich nicht gesungen hätte. [25] Favorable articles and bland reviews, published in specialty music publications such as The Musical Courier, were most likely written by her friends, or herself. [16] She began taking voice lessons and immersed herself in wealthy New York City society, joining dozens of social clubs. [20] "There's no way to even pedagogically discuss it," said vocal instructor Bill Schuman. "At that time Frank Sinatra had started to sing, and the teenagers used to faint during his notes and scream", McMoon told an interviewer. [20] Tickets for the event sold out weeks in advance; the demand was such that an estimated 2,000 people were turned away at the door of the 2,800-seat venue. McMoon later recalled an "especially noteworthy" moment: "[When she sang] 'If my silhouette does not convince you yet/My figure surely will' [from Adele's aria in Die Fledermaus], she put her hands righteously to her hips and went into a circular dance that was the most ludicrous thing I have ever seen. [14] She retained the Jenkins surname for the remainder of her life. Florence Foster Jenkins (* 19.Juli 1868 in Wilkes-Barre, Pennsylvania; † 26. In diesem halb-privaten Rahmen traute sie sich, erstmals öffentlich aufzutreten. Her speciality was high coloratura. Jenkins handled distribution of the coveted tickets herself, carefully excluding strangers, particularly music critics. [22], On the other hand, Jenkins refused to open her performances to the general public, and was clearly aware of her detractors. Der Großteil der Carnegie Hall-Besucher war auf ihre katastrophalen Darbietungen nicht vorbereitet, und erstmals war die Presse vertreten. "It's amazing that she's even attempting to sing that music. [23], At the age of 76, Jenkins finally yielded to public demand and booked Carnegie Hall for a general-admission performance that took place on October 25, 1944. Sie sang hingebungsvoll und falsch weiter. [13], The only professional audio recordings of Jenkins consist of nine selections on five 78-rpm records (Melotone Recording Studio, New York City, 1941–1944), produced by Jenkins herself, at her own expense,[2] and sold to her friends at $2.50[b] a copy. [13] In a widely republished photograph, Jenkins poses in a costume, complete with angelic wings, from her tableau inspired by Howard Chandler Christy's painting Stephen Foster and the Angel of Inspiration. Die Art, wie sie sich zum dreifach gestrichenen F hochschraubte, ließ einige vor Entsetzen in ihre Taschentücher beißen, andere brüllten vor Lachen.

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