What this new version forgets, to its detriment, is that Gloria’s strength doesn’t come from finally holding the gun; it comes from being a survivor. She navigates the narrative’s changing, churning waters,
of the least palatable elements either scrubbed out or softened for adolescent consumption. Monica Castillo is a freelance writer and University of Southern California Annenberg graduate film critic fellow. border to Tijuana where drug-fueled violence fostered by the cartels is a way of "Bala," one should know, is Spanish for bullet. That might be kind of fun if it didn’t feel so tired and timid.
Forced to drive cash across the border, she encounters a man named Jimmy (Anthony Mackie), who tells her to give Lino the message that there is a DEA mole in his crew. It seems to promise an exploitative genre movie, about gangsters and drug deals, and it delivers on that, but it’s something more. Which is understandable given the character’s predicament, but the movie itself exists in a similar state. While I want to cheer for all the Latino talent involved in making this big studio movie, taking home big studio-sized checks and, hopefully, getting opportunities most of us would have never thought possible in the entertainment industry unless your name is Sofia Vergara or Jennifer Lopez, I’m still very conflicted that the only way we could get this spotlight is by playing the worst versions of our communities.
Miss Bala fails both when judged on its own merits and when compared to its predecessor. In the ensuing panic, the invaders' leader, Lino (the memorably blue-eyed Ismael Cruz Cordova), momentarily holds Gloria and tells her to compete in the beauty contest herself, after which she's grabbed by DEA agents led by Jimmy (Anthony Mackie), who sees her new connection as a way to get at Lino. A real surprise. So there was kind of a lot of comedy at the same time. Although Gloria might want to refute that, her own act of self-preservation Rodriguez and Cordova are as vacant as their good looks, and it’s hard to tell who’s more to blame for leaving them out to dry — Hardwicke or screenwriter Gareth Dunnet-Alcocer. It’s a bleak story, a loose reflection of how cartel violence has ruined the lives of countless innocent bystanders. Check box if your review contains spoilers. Miss Bala (bala, spanisch für Kugel) ist ein mexikanisches Filmdrama von Gerardo Naranjo aus dem Jahr 2011. wearing an evening gown and touting an AK-15, but that’s a comic book image not The first half of the movie is still watchable even if there's not a lot to see other than the leading lady. Sure, she looks great walking in slow-motion, Although director Catherine Hardwicke (Twilight) doesn’t depict much of the brutality – at least not in
A hard. (Gerardo Naranjo, the writer-director of the first film, is an executive producer.). After entering a beauty contest in Tijuana, a young woman witnesses drug-related murders and is forced to do the gang's bidding. Tweet. Editor: Terilyn A. Shropshire She’s kidnapped, raped and forced to work for the gang in the hopes of finding her missing friend. Although she originally went to Boston University for biochemistry and molecular biology before landing in the sociology department, she went on to review films for The Boston Phoenix, WBUR, Dig Boston, The Boston Globe, and co-hosted the podcast “Cinema Fix.”, Welcome to Judgment City: A Look Back at Defending Your Life, The West Wing Returns for an HBO Max Special, Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson. In Gerardo Naranjo’s 2012 drama, “Miss Bala,” an aspiring beauty queen is caught in the crosshairs of a cartel strike. This is not to say that dealing with mayhem has ever been Gloria's thing. performance. a shooting at a nightclub in which Gloria briefly comes face-to-face with Lino, That this tale of a young woman caught between gangsters and the authorities along the Mexico-U.S. border is rated PG-13 rather than R tells you a good deal about the differences between the two films; the former was as hard and bleak as this one is emotional and conventional. vulnerability and self-doubt. Sign up for our Email Newsletters here. She remains an entirely passive character until the very end of the film, and either follows orders from the men around her or runs haphazardly out of harm’s way. Their chemistry has all the tension of a rubber band. She was surprisingly understated as foil to Natalie Portman in Alex Garland’s “Annihilation,” proving she has dramatic chops.
Gloria and Suzu (Cristina Rodlo) exchange friendship bracelets and cliched pleasantries, during which Gloria sums up her complicated feelings about Tijuana: “I always felt like such a stranger here,” she says. Following
Either of her unwanted controllers could easily dispose of her with no consequences to them. Soon after her capture, Gloria meets face-to-face with the cartel’s leader, Lino (Ismael Cruz Córdova), who reveals he was once an undocumented immigrant in Bakersfield, CA., before he was deported and pushed into a life of crime. Lino The Mexico of this film is merely a place of abject lawlessness, whose hellishness exists only to stoke our fascination for how the protagonist grows as a person by drawing on her inner strength. Privacy | When the DEA agent leaves her hanging in a bloody shoot-out, she realigns herself with Lino, whose soft spot for Gloria proves useful for staying alive.
Todd McCarthy The original Miss Bala focused more on the dramatic elements than the action/thriller ones and wasn’t afraid to get dark and gritty. It’s a bleak story, a loose reflection of how cartel violence …
It was an intense, almost hallucinatory parable of utter vulnerability and desperate compromise.
Gloria gets whiplash trying to determine who might be a reliable ally – if anyone.
And we really wanted you to feel through the music, through the cinematography, through the handheld cinematography at this moment in the movie what kind of a panic state she’s feeling and how she’s trying to stay calm enough to mechanically open up these phones, be smart about what she does, and put them back properly so that it looks exactly like no one has tampered with the phone.
one from a movie that wants to maintain a dramatic edge. It's an alert from the get-go that she's going to take care of business; the movie should have been called Ms. Bala. What the frack was this movie?
In Gerardo Naranjo’s 2012 drama, “Miss Bala,” an aspiring beauty queen is caught in the crosshairs of a cartel strike. Gareth Dunnet Alcocer's script has a tidy, programmed feel that results in a feel-good version of a grim and sordid modern yarn. help her best friend, Suzu (Cristian Rodlo), participate in a beauty pageant. But it’s also satisfying to see the outcome. During a dark night out, Suzu introduces Gloria to a handsy police chief before a group of criminals open fire in the club. Just like Gloria in the film itself, Rodriguez is the only hero here. But Gloria is stuck with Lino, who calls her “Chula” and occasionally touches her. Even Rodriguez’s smile can’t salvage this disappointing remake, but at least it provides a welcome reminder to check out the movie that inspired it. Apart from a good performance from Gina Rodriguez this movie doesn`t have alot to offer other than goofy characters. An air of not just hopelessness but the eternal void hung over much of that pic, a kind of existential airlessness that's replaced here by a succession of stock-in-trade close calls, escapes, rescues and coincidences that make this an infinitely more mainstream, as well as numbingly familiar, movie. The rating also signals that the new production is aimed more at teenage girls than an older action crowd, a bluntly commercial calculation made by the present producers. Directed by Catherine Hardwicke (“Thirteen,” “Twilight”), “Miss Bala” is a remake of the 2011 Mexican film of the same name. Or not, if you’ve seen the trailer.
In “Miss Bala,” Gina Rodriguez chops an onion, shoots an AR-15 and does various other things that might count as spoilers if I told you about them. All she really wants, though, is to escape both men's clutches, find Suzu and get the hell out of Tijuana, which is presented as corrupt and lawless but more modern and less scary than it appeared in the original Mexican film eight years ago. story but never quite get there. ‘Soul’ Aims for Oscar Glory as Disney Shifts to Streaming, but Not All Films Deserve the Same Release, How Closed Theaters, Drive-In Movies, and Netflix Supremacy Are Shaping Oscar Season, ‘Chicago 7’ Vs. the World: How Aaron Sorkin’s Awards-Friendly Epic Jolted a Strange Awards Season, Introducing ‘Deep Dive’: Damon Lindelof and His Team Go Behind the Scenes of ‘Watchmen’, ‘Succession’: How Editing Helps Every Dinner Scene Come to Life — Deep Dive, Becoming Hooded Justice: The ‘Watchmen’ Craft Team Analyzes the Emotional, Pivotal Scene – Deep Dive, 40 Must-See New Movies to See This Fall Season, The Best Movies Eligible for the 2021 Oscars Right Now, Jessie Buckley Won’t Explain ‘Ending Things,’ but She Will Reveal What Terrified Her Most. That megawatt smile, radiant warmth, and killer comic timing made “Jane the Virgin” one of the most infectious comedies on television. Because they were really very close to her. Pretty good movie. She has a magnetic screen presence that could carry the kind of genuine Hollywood romantic comedy audiences are so desperate for right now. Rodriguez, looking for action as “Jane the Virgin” winds down, finds it as Gloria Fuentes, a Los Angeles makeup artist ensnared in the cross-border drug trade. And then, of course, the actors outside were doing the same thing too, with their yelling, with the tension. Der Film wurde bei den Internationalen Filmfestspielen von Cannes 2011 in der Sektion Un Certain Regard uraufgeführt und als mexikanischer Beitrag für die Oscars in der Kategorie Bester fremdsprachiger Film eingereicht, erhielt jedoch keine Nominierung. Regular eruptions of gunfire and explosions rock the action from time to time, but director Catherine Hardwicke, still trying to regain her footing a decade after departing the Twilight franchise, delivers scenes of tension and violence that are tart and punchy enough (at least by PG-13 standards) — though she abandons the darker tone that drenched the original. Overly aggressive in looking for her friend, Gloria puts
By contrast, the title character is here played by Gina Rodriguez, who, post-Jane the Virgin and now in her mid-30s, has been part of such kick-butt action dramas as Deepwater Horizon and Annihilation. American nor Mexican.
Read full review There are times when it’s funny.
And it’s stunning architecture designed by a Tijuana architect. Saucedo (Damian Alcazar). The 2019 re-interpretation is a less harsh brew with many “Miss Bala” opens in theaters on February 1, 2019 from Columbia Pictures. Miss Bala is a reworking Screenwriter: Gareth Dunnet-Alcocer
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